SCREENWRITERS - We’re coming to the end of our logline journey together, so this week I want to focus on the importance of a strong antagonist. Too many of the loglines I’m seeing talk about a vague existential threat or an internal emotional obstacle. That does not get a reader leaning in. We need SPECIFIC ANTAGONISTS to make our logline pop. I am going to use Steven’s first logline and then rewrite as an example of just how much better a logline gets when you get specific about your antagonist

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