Throwing Muses’ self-titled debut album is being reissued to mark its 40th anniversary. The album has been out-of-print for ...

I’ve not yet jumped on the discourse bandwagon about 300SkullsAndCounting & Jenny Sparks, debates over whether its treatment of millennial aesthetics is an act of hackneyed recycling or innovative ...

If Marr doth protest too much, then on his latest album The Age Of Everything, he appears to be reclaiming his Smiths legacy ...

The Flaming Lips have a new album on the way, titled The Teardrop Throbs. Featuring 13 tracks, the record marks the band’s first release for Jack White’s label, Third Man Records. It’s the band’s ...

Alastair Shuttleworth talks to Irish experimental musician Jennifer Walshe in order to offer ten points of entry to her back ...

Based on transcriptions direct from tapes found at a jumble sale, the latest from Oliver Leith may be the ideal entry point ...

As Soul Jazz launch a deluxe reissue to mark 50 years of this Count Ossie classic, Neil Kulkarni explores an imaginative, forward-thinking and post-modern fusion of the ancient and modern ...

Through a series of excellent releases over various small labels, Tim Gane, Stereolab founder and former McCarthy man, has developed a distinct new instrumental electronic sonic offering with Cavern ...

Kevin Martin has taken to Instagram to reveal that he’s successfully blocked an unlicensed reissue of Possession, a 1992 ...

Portuguese festival SQUARE has revealed the first details of the conference programme for its 2027 edition. Returning to ...

Claire Biddles and Fergal Kinney wonder whether Robbie Williams' pivot to hip hop album Rudebox was outsider art or just a ...

Paul Du Noyer compared Paul McCartney’s “stylistic breadth” to Pablo Picasso. Will Gompertz eulogised David Bowie as “the Picasso of pop”. Leonard Cohen saw Bob Dylan as “the Picasso” and considered ...