The Handel and Haydn Society masterfully highlighted the drama and subtle details of Handel’s rarely heard cantatas Delirio ...

Andris Nelsons’ annual opera-in-concert weekends with the Boston Symphony Orchestra usually showcase the conductor at his best. This year’s surely did, with the culminating installment of the ...

The Handel and Haydn Society might be the country’s oldest performing arts institution, but it certainly is projecting—and performing with–the vigor of youth this week. On Monday, the ensemble ...

Such was the intensity of the cheering that greeted Gustavo Dudamel and the Los Angeles Philharmonic Orchestra Sunday afternoon at Symphony Hall that one could be forgiven for thinking the ensemble ...

“When good Americans die,” Oscar Wilde said, “they go to Paris.” Sometimes, though, Paris comes to America. So it happened that the Orchestre National de France found itself at Mechanics Hall in ...

Despite a trailblazing career as pianist, pedagogue, and composer, Louise Farrenc’s music has mostly languished since her death in 1875. Recent years, though, have seen an uptick of interest in her ...

Who says old dogs can’t learn new tricks? The Boston Symphony Orchestra—now in its 144 th season—trotted out a fresh one with conductor Dima Slobodeniouk on Thursday night: eschewing the usual ...

Seventieth birthdays are big deals. When Leonard Bernstein marked the milestone in 1988, the Boston Symphony threw him a three-day-long bash at Tanglewood that included a three-hour concert in the ...

Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...

Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet a sacred text. In some ways, his dramatic style can feel distracting from ...

Whoever planned the first month of concerts at Symphony Hall this year deserves a pat on the back: rarely, if ever, do four consecutive weeks of programs, and from different artists, hold together so ...

Back in 1986, Midori made the front page of The New York Times after a performance of Leonard Bernstein’s Serenade at Tanglewood resulted in two broken E strings and the then-14-year-old playing on ...