Whenever marketing materials label anything “a Hitchcockian thriller,” beware. The invoking of the great Sir Alfred’s name for any run-of-the-mill suspense drama should not imply it is on the level ...

As the COVID-19 pandemic continues to impact our society and culture, locked door thrillers and dramas have proven to be an interesting outlet for filmmakers. It’s logical, both psychologically and ...

Editor-at-Large for MovieWeb, Matt Mahler is also a film critic, interviewer, and writer for the site since 2021. He has interviewed a variety of directors, from Wim Wenders and Luca Guadagnino to Joe ...

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...

Victim-aggressor dynamics aren't all they initially seem in this lean, mean domestic hostage story from director Charlie McDowell and 'Se7en' writer Andrew Kevin Walker. A well-heeled young couple ...

Joshua Kristian McCoy is a freelance writer and film critic from the United States. He is a lifelong film buff, a voting member of the Georgia Film Critics Association, a tournament-winning Smash Bros ...

A tech billionaire and his wife find themselves at the mercy of a home invader in Charlie McDowell's half-baked homage to Alfred Hitchcock. There’s an air of tense possibility during the opening title ...

Tense situations tend to bring out the worst in people, and few situations are as potentially charged as a home invasion and hostage situation. In "Windfall," the latest from "The One I Love" director ...

There are three characters in Windfall, and none of them have names: a wealthy tech CEO played by Jesse Plemons (The Power of the Dog), his wife, played by Lily Collins (Emily in Paris), and the man ...

There’s an air of tense possibility during the opening title sequence of “Windfall,” a Netflix film that’s being rather boldly marketed as “a Hitchcockian thriller.” A single, static shot of a sunny ...

Add Yahoo as a preferred source to see more of our stories on Google. Not that we’re supposed to overly attach ourselves to any one character in a film that doesn’t even grant them the courtesy of ...