Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. From its stormy overture to the climactic finale, Wagner’s The Flying Dutchman ...
That said, Naomi Dawson’s set avoids any barnacled naturalism. Ropes, ladders and trapdoors hint at shipboard scenes rather than mimic them, while Robert Price’s effective mood-creating lighting does ...
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