The story of Salome, the niece and stepdaughter of the biblical King Herod, and her pursuit of John the Baptist has inspired countless works, from theater productions and paintings to films and ...
Salome is a dark and provocative opera centered on the biblical story of King Herod’s stepdaughter and her obsessive desire for John the Baptist (Jochanaan). Captivated by Jochanaan’s purity and ...
Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...
Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...
Soprano Lise Lindstrom, acclaimed on opera stages around the world, has scored another triumph with "Salome" at San Diego Opera. The production ran Jan. 28 to Feb. 5, earning standing ovations and ...
Salome, played by Julia Mintzer, strikes a pose in front of (from left) Ashraf Sewailam, Makudu Senaoana, Jay Hunter, Katherine Goeldner, Cesar Delgado and Ryan Belongie. Tulsa Opera's production of ...
On April 7, 8, 14 and 16, at the NOVA Center for Performing Arts, Rimrock Opera will present one of the most infamous tales in the Bible’s New Testament, "Salome," in operatic form. Salome, composed ...
Richard Strauss’s “Salome” has been described by opera singers, conductors, critics and fans as one of the world’s most thrilling, fast-paced and visceral works in the repertoire. And yet, the ...
Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...
Observer connected with the breakout star to discuss her commanding voice, bold theatricality and Claus Guth's provocative new 'Salome.' Elza van den Heever at the Kaiserin in Die Frau ohne Schatten.
Salome was 16 and slinky-slim. Birgit Nilsson is 46 and boatswain-burly. As for casting the Swede in the title role of Richard Strauss’s Salome, the idea seemed roughly comparable to starring Judith ...