No scene in the operatic repertoire is more synonymous with visual spectacle than the Act II finale of Verdi’s “Aida.” To convey the grandeur of the Egyptian army’s triumphant return, the stage ...
Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...
How else can one explain his mystifying concept of framing an engrossing opera of love, war and death in ancient Egypt with the explorations of a silent band of early 20th-century archaeologists?
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